“Everyone is used to seeing people filming with their phones… It’s now just part of life so people hardly react. They might just see you out of the corner of their eye if you’re filming and not even bother to turn round” Simon Horrocks is a screenwriter, producer and director from London. After making his feature… Filmmaker Simon Horrocks On Smartphone Filming, Raising Money & Netflix Read More
“The Guilty” Star Jakob Cedergren On The Making Of The Blindsiding Danish Thriller
The Guilty, a nervy, tense Danish thriller set solely in the claustrophobic confines of an emergency dispatcher’s office, is released in the UK on 26 October. Asger Holm is a policeman working on the emergency phones, often dealing with timewasters and fakers – until he receives a call from Iben, a woman who is being… “The Guilty” Star Jakob Cedergren On The Making Of The Blindsiding Danish Thriller Read More
Jessica Hynes On Freedom In Filmmaking & Her “Kurosawa Scene”
Jessica Hynes, writer and star of Channel 4 comedy Spaced and star of W1A and The Royle Family (among many, many other shows and movies), has recently directed her first feature film, the micro budget seaside-set family drama The Fight. The movie follows frazzled mum Tina who takes up boxing when she’s forced to find ways to acknowledge… Jessica Hynes On Freedom In Filmmaking & Her “Kurosawa Scene” Read More
“Dusty & Me” Star Luke Newberry On Fitting In, Flares & “In The Flesh”
“Someone told me a quote about ‘being comfortable being uncomfortable’ and I think that was the best little nugget of advice I got” says Luke Newberry, about coping with the insecurity of an actor’s life. Though he went straight from drama school to filming Quartet, directed by Dustin Hoffman, then had a real introduction to… “Dusty & Me” Star Luke Newberry On Fitting In, Flares & “In The Flesh” Read More
“No Shade” writer-director Clare Anyiam-Osigwe on colourism, diversity in filmmaking, & her love of high stakes
“Twelve years ago the British industry was really bleak for Black creatives… The difference today is that festivals like BUFF have been operating as change-makers for unheard voices, providing a bridge for Black talent to connect with decision makers or build cast, crew and resources to produce their own projects on their own terms.” Clare… “No Shade” writer-director Clare Anyiam-Osigwe on colourism, diversity in filmmaking, & her love of high stakes Read More
Director Marcelo Martinessi On Filmmaking In Conservative Paraguay, & The Women Who Inspired Him
Marcelo Martinessi is the writer-director of the award-winning The Heiresses, a story of relationship breakdown set in his native Paraguay – a country which after decades living under a dictatorship is only now starting to develop a film industry. The film won two Silver Bears at this year’s Berlin International Film Festival: Best Actress for Ana… Director Marcelo Martinessi On Filmmaking In Conservative Paraguay, & The Women Who Inspired Him Read More
Deciphering The Making Of Short Film The Code With Director Patrick Ryder
Award-winning director Patrick Ryder’s latest short film is The Code, a World War 2 drama set in the forests of France shortly before the events of Dunkirk. It follows brothers Will (Kevin Leslie) and Eddie (Jacob Anderton) and their friend Tommy (Robert Dukes), separated from the rest of their regiment and desperate to get to… Deciphering The Making Of Short Film The Code With Director Patrick Ryder Read More
“Mobile Homes” Director Vladimir De Fontenay On Home-Making, Film-Making, & Losing All His Worldly Goods
“Film-making is points of view, it’s confrontations of points of views on things. And somehow, being an observer, you’re inside but you’re also kind of outside.” Vladimir De Fontenay Mobile Homes follows young mother Ali (Imogen Poots), as she tries to escape her aggressive boyfriend Evan (Callum Turner) for a better life with her 8 year… “Mobile Homes” Director Vladimir De Fontenay On Home-Making, Film-Making, & Losing All His Worldly Goods Read More
Winter Ridge Director Dom Lenoir On The Making Of His British Thriller
“There are a thousand examples of films outside the box that succeed on their quality” Director of Winter Ridge, Dom Lenoir Winter Ridge, a British thriller about a serial killer targeting elderly people with dementia, is going on international release this year (check out my review and watch the trailer here). Set in the fictional… Winter Ridge Director Dom Lenoir On The Making Of His British Thriller Read More
My Animated Chat With Director Peter Peake On New Film ‘Take Rabbit’, Riddles, & Oscar Madness
Oscar- and BAFTA-nominated director Peter Peake is back with Take Rabbit, an animated short film based on the well-known riddle about transporting a fox, a rabbit and a cabbage across a river, one at a time, without leaving one in danger of being eaten by another while you go back for the last one. I… My Animated Chat With Director Peter Peake On New Film ‘Take Rabbit’, Riddles, & Oscar Madness Read More
Entrance No Exit For Cast & Crew With My Q&As…
Director Jo Southwell managed to quickly crowdfund then pull together a full team for her short film Entrance No Exit. (You can read my diary of my time as an extra on the shoot here). I spoke to Jo and some of her cast and crew about their experiences and how they got into the… Entrance No Exit For Cast & Crew With My Q&As… Read More
Jessica Whitehill On Screenwriting Plus Humanity & Humour In “The 12”
Screenwriter Jessica Whitehill wrote The 12, a bleakly witty church invasion thriller where a tiny congregation learns its own strengths when faced with a terrifying but very human gunman. The feature-length movie was shot in only five days by her husband, director James Whitehill. Jessica has worked extensively in theatre and film – her script for SVEN won best sci-fi screenplay at the… Jessica Whitehill On Screenwriting Plus Humanity & Humour In “The 12” Read More
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